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George Lucas and Steven Spielberg can kiss my shiny metal @$$ |
Jedi Master Thrash - Feb 10, 2007 |
Kuta | Feb 11, 2007 | ||||
Are you kidding me? Those characters practicaly made the movie! |
VertigoXX | Feb 11, 2007 | ||||
Heh... Most of the themes from episode 1 were pretty much ripped off of Dvorak's New World Symphony No. 9. |
Runik | Feb 12, 2007 | |||||
Are you kidding ? Scherzo For Motorcycle and Orchestra is one of the best theme of the serie ... and the whole OST is just great (No Ticket, Escape From Venice or Belly Of The Beast just make my day everytime I listen to them) I'm a huge fan of Indy, I saw the movies countless times, and each one has his own personality ... I love them all, for different reasons, but telling which one is better than the other doesn't occur to me. Raiders : novelty + adventure Temple : adventure + darkness Crusade : adventure + humor Depending on my mood I just spin one of them in the player every now and then, I now almost every line, but I still enjoy it like it's the first time ... I just love Indiana Jones |
Jedi Master Thrash | Feb 12, 2007 | |||
Yeah, I love all the movies. Normally I wouldn't bother picking fav's. It's like picking a favorite (original) Star Wars movie. What's the point. It's just from watching that bonus disc... listing to George and Stevie ditz temple and praise-up crusade made me defensive towards the opposite. There's just something about watching Mr. Lucas talk that like twists me up inside like I'm gonna puke and need to break something. I think it started from watching the Lucas interview on the Making Magic PC disc they gave away for a while, that had all the preview material for the upcoming Special Editions. Watching Lucas just talk about how awful his original movies were and how nothing was as he meant it to be, etc,and then watching him actually think these PS1 quality CG models were great... I just couldn't stand watching him talk anymore. And then the new interviews he's done where he just state's that their "his" movies and this is how he originally intended them blah blah. On the Indy bonus disc, he just has this same kind of stuck up attitude about him when he talks like it's his right to ditz his past masterpieces. (not that he doesn't have that right, I just enjoy being unreasonable I guess It's kind of ironic, because on the original From Star Wars To Jedi making of video from like 1985, Lucas does kind of the same thing. He basically talks about Jedi as his chance to do better all the things he didn't like about A New Hope. He didn't have the budget for a good cantina in A New Hope, but he did with Jedi, so he finally got to do what he wanted (and he stated that Jedi was what he wanted to do, but of course all that changed in 1997 when he destroyed the jabba's palace scene because it wasn't apparently how he wanted it). And like there weren't enough fighting ships in the A New Hope death star attack, so he made his big grand space fight in Jedi. And I never complained about what he said in Star Wars To Jedi, because I agreed then. Jabba's palace was better than the cantina. The death star II battle was better than the death star I battle. Anyone seen the E.T. DVD? How badly did Spielberg mess that up? I haven't seen it yet, though I hear they do include the original version too. |
tsumake | Feb 12, 2007 | |||
Hmm... A rant about Indy? Anything to do with the upcoming new Indy film that was finally OK'd by Lucas? Well, I'd never, ever put much faith in whatever Lucas says, has said, or ever will say. He's a lucky SOB, period. I know everyone here (and there parents) love the Star Wars films and Indy Films, so there'll be a lot of "Lucas has talent" this and that, even though people have suffered under the abominations to celluloid (well, just the first one, the others were digital) that are the prequels. George Lucas studied Documentary filmmaking while at USC, which is why he's good at editing. He's a moody, reclusive person, so that tends to give people the impressive of a "Salingeresque" character like Terence Malick, but Salinger can write and Malick and direct. Lucas made a fun film during a period when the movie industry was in a financial crisis. "Old Hollywood," referring to the company owners and producers who have been around since Mary Pickford, was severely out of touch with the baby boomers. TV was taking everybody's interest away from the theaters. Things were desperate. So, the thought was that new blood was needed. A younger generation of fresh producers came in with "fresh" ideas. It was during this time that directors like Robert Altman and Arthur rose to fame, because it was so easy to greenlight ideas back then. If it was original, they'd give it a go because it might make a lot of money. With the coming of "Jaws" in 1972, that pretty much ended. Jaws proved that if you saturated the public with enough advertising, you'd get them to come. Thus ushered in the market analysis, corporate tactic and advertising we all love today in Hollywood. Before things were done more with instinct. For a good idea of this, watch the documentary "The Kid Stays in the Picture". Anyway, 1977. Lucas, a friend of Spielberg, comes up with a sci fi story that isn't heavy or "serious" like 2001. Lucas loves the old Buck Rogers serials, so he patterns his tale off of them. Lucas also poured over Akira Kurosawa's films. Watch "The Hidden Fortress" and you'll see the prototype for Star Wars. The concept can be considered novel. The movie was released, and became a huge success. It had an eastern mystical tone to it (the force) and was a rousing space adventure (buck rogers). If people actually listened to the dialog of the first film, they'd soon realize that the dialog in the film is actually the weakest of the original trilogy. It was the concept that really won over the audience. Who cares about dialog when you can watch X-Wings and light saber duels. Also, unlike the prequels, the original trilogy was done with real sets and the special effects weren't done with computers. They were done by hand. this may sound silly to some of you, but a lot of people prefer the original special effects over the "enhanced" version released. So the film was made in a traditional sense, and you can feel the sense of artistry in the film, unlike in the prequels, which look like a videogame. Let's look at the writing credits. Episode IV was written by George Lucas. Episode V was written by Leigh Brackett and Lawrence Kasdan, story by Lucas. Episode VI was written by George Lucas and Lawrence Kasdan. Episode V - The Empire Strikes back - is considered to be the best of the series. See why? Leigh Brackett was a talented Sci Fi novelist from the fifties. One of her famous works was penning the screenplay for "Rio Bravo." And you can see the influence. Princess Leia is definitely more of a Howard Hawks heroine. The banter is very witty from time to time. C3PO is actually funny. Unfortunately, Brackett died while writing the script so Kasdan finished it. I can go on and on about this. I just wanted to make the point that Lucas is not a talented filmmaker, at all. He was just at the right place at the right time with the right idea. We can all be greatful for THX, ILM, Skywalker Sound, and Lucasarts. But Lucas has no talent for making films. Spielberg in comparison can make a film. He has a very limited aesthetic, which is showing up now in his later years, but at least he appreciates films. As for Indy IV, it took over a decade for the project to be greenlit. Lucas denied every script that was presented to him. M. Night Shymalan wrote a draft, Frank Darabont wrote several drafts, hell even Tom Stoppard (Rosencrantz and Gildenstern are Dead, Shakespeare in Love) wrote a draft, but all were denied. And what script does he finally pick? David Koepp's script. The same guy who wrote Spider Man, Panic Room, and the Trigger Effect. While a better choice then Shymalan, I hardly believe that would be the best of the bunch. Darabont is a talented writer and filmmaker. He wrote for the Young Indiana Jones Series. He wrote and directed "The Shawshank Redemption" and "The Green Mile." Lucas has absolutely no taste. Lastly, it is generally regarded that the first Indy is the best, then the second, and the third was a disappointment to most critics. I know that that's meat of this thread, but everybody seems to be ranting, so I decided to join in on the fun. |
Kuta | Feb 13, 2007 | ||||||||||
According to who? In my opinion The Return of the Jedi is the best one from the entire series.
That's a bit rough isn't it? He has had a lot of repeated success. Bit hard to fluke something like that.
Perhaps a mild case of impatience? After waiting so long waiting for the perfect script and coming to realise that there will probably never be one, he may have decided to just go with the next half decent script he came accross. |
tsumake | Feb 14, 2007 | |||
Many critics consider Episode V to be the best. Here's a review from Amazon: "The Empire Strikes Back The middle film in George Lucas's enormously popular Star Wars science fiction trilogy is a darker, more somber entry, considered by many fans as the best in the series. Gone is the jaunty swashbuckling of the first film; the rebellion led by Princess Leia (Carrie Fisher) suffers before the superior forces of the Empire, young hero Luke Skywalker (Mark Hamill) faces his first defeats as he attempts to harness the Force under the tutelage of Jedi master Yoda (voiced by Frank Oz), and cocky Han Solo (Harrison Ford) is betrayed by former ally Lando Calrissian (Billy Dee Williams). In the tradition of the great serials, this film is left with a hefty cliffhanger. The leap in special effects technology in the three years since Star Wars results in an amazing array of effects, including a breathtaking chase through an asteroid field and a dazzling, utopian Cloud City, where Luke faces the black-clad villain Darth Vader (David Prowse, voice of James Earl Jones) in a futuristic sword fight and learns the secret of his Jedi father. Veteran director Irvin Kershner (The Eyes of Laura Mars, Never Say Never Again) took the directorial reins from creator and producer Lucas and invested the light-speed adventure with deeper characters and a more emphatic sense of danger. " Not exactly Pauline Kael, but it was the best I could find right now. And aesthetically speaking, it is the best. It isn't as kitschy as the other two films. While one's value of kitsch is subjective, Episode V is the closest one to be considered an "art film", absurd as that may seem. Yes, I would agree Lucas is impatient. But the kind of impatience a procrastinating student has when he realizes that his final paper is due tomorrow. Harrison Ford is nearly geriatric. No amount of makeup will hide that fact forever. Lucas knows there's a limit to how much he can dawdle with a sequel; he just doesn't care. He's a billionaire with all the time in the world. Why do you think he took over twenty years to make the prequels? He lost interest in his franchise, even hated it a bit (except for the fact that it made him his billions). For Episode III, Lucas said in an interview that he had to force himself to write the screenplay. Well, we all know that Harlan Ellison wrote his famous Star Trek episode, he was also locked in a room. But he was threatened by others. You know , if you guys love these films so much, why don't you look up this background stuff on the internet? www.imdb.com... is a godsend for filmlovers. Bah, I'll never get a fan to think different about a Star Wars film. That's why they're fans. I'll just throw my opinion on that dead wall anyway. |